Trippie Redd later went to on to solidify the subgenres popularity from "Miss The Rage", releasing the primarily rage album, Trip At Knight and expressed his fascination with rage rap. Rapper Mario Judah went on to release his re-produced version of "Miss The Rage", since the main loop for the instrumental of "Miss The Rage" was based on a royalty-free melody loop. Along with "Whole Lotta Red", "Miss The Rage" was influential in the rage subgenre, with multiple producers and rappers adopting the style after the single was released. The genre's popularity and breakthrough is also attributed to the 2021 single " Miss The Rage" by Trippie Redd featuring Playboi Carti. Despite its initially mixed reception by fans, the album would come to largely define the genre, with much of what came after either heavily influenced by or trying to directly replicate the album's style. It's also often suggested that the foundation of rage has been laid with Playboi Carti's Whole Lotta Red album, released in late 2020 and mostly produced by F1lthy. Playboi Carti has often been suggested as either an originator or primary popularizer of rage rap, laying the foundation of genre during his work on Die Lit album in 2018, mostly produced by Pierre Bourne. The production styles of Pierre Bourne and music of Lil Uzi Vert were, in turn, influenced by music of Wiz Khalifa and his producer Sledgren, who sometimes incorporated videogame samples in their music and were, in turn, influenced by early attempts to fuse European synthesizer-based music with hip-hop and contemporary R&B during the 2000s by Polow Da Don and others. Abo Kado, an author for Mikiki music reviewing website, suggested that rage beats primarily evolved from production style of Pierre Bourne, Maaly Raw and F1lthy, all of whom relied heavily on trap music and synthesizer melodies in their beats, had strong video game music influence and also worked closely with Playboi Carti and Lil Uzi Vert. Metro produced Future's 2015 song "I Serve the Base", which has been described as an early rage track. History Īmong the immediate precursors of rage are beats made by Mike Will Made-It, beats made by Dun Deal and C Thug by Young Thug and beats by Metro Boomin and Southside from the mid-2010s. Lil Uzi Vert has also been important influence to Trippie Redd during his work on Trip At Knight, and to SoFaygo, Travis Scott's Cactus Jack Records signee and the author of early noted rage track "Off The Map". For this reason, both Lil Uzi Vert and Travis Scott have been repeatedly referred to by such descriptive terms as "rage rapper" or "rage rap pioneer", or "king of rage rap", although it has also been suggested that both Lil Uzi Vert and the sound of Astroworld album actually influenced the rage rap subgenre, particularly Yeat's music. During the 2010s, multiple artists and critics used the word "rage" in context of hip-hop, mostly either referring to overdriven energetic sound, or the moshpits happening at rap concerts, examples being Lil Uzi Vert's Luv Is Rage and Luv Is Rage 2 releases, and multiple sources calling 6ix9ine's and XXXTentacion's music "rage rap". Rager" alter-ego, which influenced Travis Scott who later adopted "rage" word and made it an important part of his own aesthetic. The concept of "rages" at rap concerts and the use of the term "rage" in hip hop music predate the rage subgenre itself: the first person to use the term "rage" in context of hip-hop is said to be Kid Cudi, with his "Mr. In the context of the title, "rage" means "moshpit". The name of the subgenre comes mainly from " Miss the Rage", a track made in 2021 by Trippie Redd and Playboi Carti, whose name references moshpits during rap concerts that Trippie Redd longed for during COVID-19 lockdowns. Among the pioneers of rage rap are rappers Playboi Carti, Lil Uzi Vert and Trippie Redd. Distinguishing features of rage rap include short repeating stereo-widened EDM-influenced and future bass-influenced looped synthesizer lead hooks and a basic trap rhythm. Rage rap (also called as rage-rap, rage beats or simply rage ) is an energetic microgenre of trap music.
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